STRICH Wireless Saxophone Microphone Transmitter Receiver for Beginner, Rechargeable Sax Transmitter Receiver, Clip-on Instrument Mic for Trumpet, Preset EQ, Echo Level, Reverb, 131 Ft Transmission

Very comfortable to use. Easy to setup, sound is good.

First and foremost, the sound quality on the mic is pretty good, capturing a fair range of sound with little distortion or dropping. Now add a few internal EQ settings and versatility is effectively expounded upon. The Rx/Tx seem to have a pretty transmission distance before degrading signal and battery life does really good. I have tried a few of these Strich products and they keep impressing me with their consistency of quality. Clip grips and springs hold tension well, so there is no cross noise from a shifting transmitter, and they make it very versatile to interchange between various brass instruments. I would probably not use this for a tuba though, as the mic would doubtedly have the bottom range, but for most other brass, it should be just fine. I also want to see how it holds against certain woods and reed instruments, which I believe the clip would allow attachment. Regardless, for what it is designed (brass/Sax), it works great, but also is versatile enough for additional uses.

This "Strich" wireless sax microphone comes with the transmitter that you clip on to your sax bell, and the receiver, which you attach to the p.a. mixer via its XLR jack (you'd need to use a separately-acquired XLR-to-1/4" adapter to plug into a guitar/keyboard amp). Each unit is charged via a USB-C port, and holds a charge through any gig. It's good to be in the habit of charging them fully before any gig. Nothing more awkward than running out of battery mid-solo!What sets this unit apart from others I've seen are two things.1) pre-set eq options: through a toggle button, the light on the transmitter changes, and the internal eq settings change to, in theory, bringing out the ideal characteristics of soprano, alto, or tenor sax. I suppose if you play a bari you don't want this mic? I personally think that if they insist on these options, there should be two more: one for bari, and one for "neutral", which allows the mixing engineer or whoever's running the p.a. to adjust eq however they see fit. It's a cute feature but not fully realized.2) a dial for reverb: there's a small dial on the side of the transmitter that allows the player to set the amount of reverb they want to add to their sound. Again, this is usually best done on the mixing board, but in this case the player can turn their dial all the way off. So I see this as a great feature, especially if you're playing in a rock or r&b setting, which perhaps in a song you're playing a backing horn figure where no reverb is best, then at one point you get a solo where some reverb sauce would be nice... and you don't want to rely on someone at the mixing board to turn your reverb up and down during a song.The clamp mechanism that attaches to your bell is a little worrisome. You can pull it up to situation and release it to clamp down... but I always worry about moving parts as they are often the first to break. I'll just say that if you treat the clamp gently and don't get rough with attaching and un-attaching it/from to your bell, you'll probably get years of use out of it.Side note: I stuck some velcro to the bottom of it and tried it out as a mic on an accordion, and it worked pretty good! If I got anywhere near the amp where the receiver was, feedback was a danger, as the gooseneck wasn't pointing down inside a bell like it's designed to... but it's worth mentioning, as with some ingenuity and a place to clamp the clip, you can use this on other instruments, even though it's best for the sax. Not you bari saxists, though. Back to the corner with you!

I'm impressed with the sound and simplicity of this sax mic. You can charge both the Transmitter and Receiver at the same time with the provided USB-C cable then connect the Receiver into an amp or mixer or output through either the cable or Bluetooth to a phone or device. The sound is clear and there's almost no key noise. I like that you can add some reverb with a dial on the X-mitter. With another button you can select a scene setting for alto (default), tenor and soprano, though I couldn't detect any difference in the modes with a casual test. The instruction booklet has tiny print and the wording sounds like a translation so it's less than clear, but the illustrations help and the device is fairly simple with just a couple of controls and ports. Overall I think it's a good value and worth 5 stars.

We recently added a new band member to the group and he played the Saxophone. This is a great device for me to bring his saxophone sound to the soundboard for our performance. The package came with a transmitter with a clip and the attachment for the condenser microphone, a receiver unit with a. XLR to 1/4" Audio adapter, a USB-C audio adapter, a 3.5mm audio cable, a USB-A to USB-C charging cable, and a small instruction manual.This wireless transmitter and receiver work in the UHF spectrum and the sound quality is very nice and clear. The product is rated for 131 feet but we have only tested it at a much closer range, about 30-40 feet. Setting up this device is very simple and quick. The internal lithium battery is rated for 5 hours runtime, and the charge time from empty to full is about 4 hours. I've also noticed that the USB port did not like fast charger, but it worked great with my standard charger speed.Overall, I really like this compact design, quality sound and ease-of-use with this product and I highly recommend it.

This STRITCH wireless microphone for saxophone is the best product like this that I have tried. The sound quality is amazing. It sounds so bright, clear with depth. Sounds like a saxophone playing through a good stage microphone. It clips on nicely with a strong clamp that does not mar the finish. The battery life is long, still going strong after 3 hours.