The Cole Porter Mix

• BARBER PATRICIA THE COLE PORTER MIX.

Leave it to the intrepid Patricia Barber to take on so well-worn a songbook as Cole Porter’s with such smoldering originality. Of course, for 15 years now, Barber has been something of an Ella Fitzgerald meets the madwoman-in-the-attic, a sheen of peerless respectability ing an uncompromising taste for the respectfully subversive. With 2006’s seminal Mythologies, Barber took the Guggenheim and ran with it, ing one foot in Ovid and the other in Harlem. Here, her unflappable taste for danger takes her deep into the Porter oeuvre. But in Barber’s hands, every old familiar lyric takes on new and usually devious entendre. Delivered in her heavily honeyed timbre, shopworn standards like "I Get a Kick Out of You" (with its new chord structure) and "You’re the Top" (with its new lyrics) suggest the fecund extra layers that their titles--generously interpreted--imply. As usual, Barber’s top-notch band delivers a flawless performance. If the arrangements lean a bit heavily on the sax, it’s because one doesn’t record with Chris Potter and not give the guy some breathing room. "I asked Chris if he ever plays schmaltzy," Barber explains. "He said no, but he could if I wanted him to." And so he does, not least on "The New Year’s Eve Song," the album’s closer and one of three Barber originals included here. Despite the self-admitted "hubris" involved in including her own material amidst this most canonical set list, the gamble pays off (check out the incomparable "Snow"). Since Patricia Barber has never been interested in mere nostalgia anyway, the result is an album that--although it looks at first glance like a relaxing sinecure--packs all the daring, velvet punch that Barber fans have to come to expect. And (more importantly) to trust. --Jason Kirk