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The Canon EOS 5D Mark II is a full-frame DSLR camera featuring a 21.1-megapixel CMOS sensor, capable of shooting high-quality stills and Full HD video. With versatile shooting modes, a robust build, and a 1-Year Canon warranty, it's designed for both amateur and aspiring professional photographers.
Metering Methods | Multi, Center-weighted, Spot |
Exposure Control | aperture-priority AE, Program AE, bulb, Manual, depth-of-field AE, shutter-priority AE, Automatic, E-TTL II |
White Balance Settings | Auto |
Self Timer | 10 seconds |
Screen Size | 3 Inches |
Display Type | LCD |
Display Fixture Type | Fixed |
Display Resolution Maximum | 920,000 |
Has Color Screen | Yes |
Flash Memory Type | Compact Flash (Type I or II), UDMA, Microdrive |
Memory Storage Capacity | 4 GB |
Flash Memory Speed Class | 10 |
Flash Memory Bus Interface Type | PATA |
Flash Memory Installed Size | 4 GB |
Compatible Mountings | Canon EF |
Sensor Type | CMOS |
Image stabilization | Digital |
Maximum Aperture | 3.5 Millimeters |
Expanded ISO Minimum | 100 |
Photo Sensor Resolution | 21.1 MP |
Photo Sensor Size | Full Frame (35mm) |
Maximum Shutter Speed | 1/8000 seconds |
Minimum Shutter Speed | 30 seconds |
Form Factor | Mid-size SLR |
Special Feature | TFT-LCD monitor with 920K pixels, 7-level brightness control and 170° viewing angles |
Color | Black |
Item Weight | 860 Grams |
Video Resolution | FHD 1080p |
Viewfinder | Optical |
Flash Modes | Studio |
Camera Flash | Built-In |
Skill Level | Amateur |
Compatible Devices | Canon EF mount cameras |
Continuous Shooting | 3.9 fps |
Aperture modes | Aperture Priority |
Viewfinder Magnification | 0.71x |
Flash Sync Speed | 1/200_sec |
Video Capture Format | h.264;mpeg-4 |
Expanded ISO Maximum | 6400 |
Battery Weight | 50 Grams |
Delay between shots | 0.26 seconds |
Battery Cell Type | Lithium Ion |
Battery Average Life | 850 Photos |
Battery Type | Lithium Ion |
Aspect Ratio | 3:2 |
File Format | RAW, sRAWK1, SRAW2, JPEG, RAW+JPEG, sRAW1 +JPEG, SRAW2+JPEG, MOV |
Effective Still Resolution | 21.1 MP |
JPEG Quality Level | Fine |
Supported Image Format | RAW, sRAWK1, SRAW2, JPEG, RAW+JPEG, sRAW1 +JPEG, SRAW2+JPEG, MOV |
Maximum Image Size | 1.92E+3 Pixels |
Total Still Resolution | 21.1 MP |
Maximum Focal Length | 105 Millimeters |
Optical Zoom | 1 x |
Lens Type | interchangeable |
Zoom | Optical Zoom |
Camera Lens | Lens not included |
Minimum Focal Length | 24 Millimeters |
Real Angle Of View | 170 Degrees |
Digital Zoom | 4.00 |
Connectivity Technology | USB, HDMI |
Wireless Technology | Yes |
Video Output | HDMI |
Total USB 2.0 Ports | 1 |
Total USB Ports | 1 |
Total Video Out Ports | 1 |
Shooting Modes | Neutral, Landscape, Faithful, Portrait, Monochrome |
Digital-Still | Yes |
Movie Mode | Yes |
Image Capture Type | Stills & Video |
Night vision | No |
Auto Focus Technology | Phase Detection, Selective single-point, Face Detection, Multi-area, Single, Continuous, Live View, Contrast Detection |
Focus Features | TTL-SIR-CT, 9 focus points |
Autofocus Points | 9 |
Focus Type | Automatic with Manual |
Focus Mode | Continuous-Servo AF (AF-C) |
Autofocus | Yes |
B**R
The Camera of the Gods!
The Canon 5D Mark II is far and away the single BEST camera on the market right now. $2500 might seem like a steep price for only a camera body, but the camera itself is worth its weight in gold and if you are serious about photography this is the only way to go.The 21.1 megapixel full frame sensor produces shockingly gorgeous images and perfect mural prints. Fine artists take note! This camera is the best digital alternative to 4x5 film. When paired with a premium piece of glass, there is little this camera can't do. The resolution is gorgeous and I have made prints at 40x50" that are absolutely flawless.Another significant benefit of this camera over comparable models is its performance in low-light conditions. You can make perfect images at an ISO of 3200 that look just as good as images at an ISO of 2000. This is great for shooting live music events (what I use it for) in dark clubs or bars. Noise is not noticeable in properly exposed images until you hit as high as 6400 and even then it is reasonable.The only major flaw of the 5D II is the auto-focus. Sometimes it works perfectly and sometimes it seems to be possessed by the devil. I can't make any rhyme or reason out of it, but the beauty of digital is that if you miss one image, you can take another right afterwards and fix your mistakes (the exception is live event or photojournalism, of course). Some people have had no problems with auto-focus, though, so this flaw might be case-by-case. It's just something to be aware of, if you purchase, and I recommend testing this feature out shortly after you take the camera out of the box.This camera doesn't have a huge frames-per-second rate, though, at only four. If you are very much into sports or performance photography, this could be a downfall. For the average user this won't make a huge difference, but it is something to consider when making the purchase. If you need a higher frames per second rate, I would suggest taking a look at the Canon 7D (although it is a crop-sensor camera).I use this camera paired with the Canon 24-70 f/2.8 L as a walk around lens and I am consistently able to produce clear, sharp images, even in low light.This, however, is not a beginner's camera. If you are not familiar with the various camera settings and are not a fan of reading the manual, you'd be better off starting with a consumer-level DSLR before graduating to this body. I started off with a Canon XTi and then moved on to a Canon 50D before I bought the 5D II. There is so much you can do with this body in terms of exposure, but its best to learn how all the functions and features work properly otherwise it will be easy to be overwhelmed.All in all I think this camera is truly the best option out there in terms of quality and possibilities.
S**N
Everything I expected
This boy has taken the place of primary workhorse in the arsenal. Stepping up from APS-C range of Canons, I photograph portraiture, landscape & fun events. I also film corporate & event promos & do fun shorts with like-minded people.Got this as a refurbished unit to save some $$, unit came with 600 on the shutter & in perfect condition. Everything is intuitive for the seasoned canon user. What stood out for me was that ISO performance is a MAJOR leap ahead. I can push it to 3200 or 4000 & still get clean visuals. Entering the full frame, everything is wider on your lenses, requiring a little adaptation in terms of 'focal length estimation' - you'll have to get used to looking into the viewfinder and going "gee, that's wider than I expected". On good glass, this camera is stellar & renders everything cleanly as expected. Cheaper glass like the 50mm F1.8 might feel a little 'maxed out' on this body.Planned shoots bring cash, but it's shooting energetic stuff in the wet & dirty that I prefer, and with proper weather-sealed lenses, this body is a tough one. It has been with me into waterfalls, under heavy tropical rain, mud events & the such. The most moisture that got in so far was a drop of condensation beneath the LCD display protector - which dried up within an hour. While it cannot be submerged underwater, I wouldn't hesitate to wash it down after a muddy run. Love that I can get down and dirty, paying more attention to what i'm shooting without worrying so much about ruining my equipment.For you video people, besides the full frame feel, video quality is comparable with the other cheaper models, ie 7D, 60D after post-production. I rely quite heavily on the MagicLantern firmware hack when shooting video & I find this 2008 model rather stunted without it. FPS overrides, shutter locking, histograms, audio monitoring etc are all crucial to getting good footage, and these are not provided with the original Canon firmware. Oh and did I mention RAW video is such a sexy attribute ;) Anw, did the 5D2 contribute much in improving my video footage? Besides the ability to film in any weather and that sexy 35mm sensor with insane ISO control, not really, no.Battery life whilst shooting photos is decent. I can manage about 6 to 7 hours of continuous shooting before needing to swap batteries. Batteries last much less while filming, about 1 - 2 hours before they die out on the set. With MagicLantern's powersaving hacks I can just about manage 3 hours.As for cons, AF on this system isnt exactly the best, especially when paired with cheaper lenses. I find myself leaving my cheaper glass on MF most of the time when in low light situations to prevent disappointments.Moire & aliasing is quite prominent on this unit, but there's nothing a good eye on the lookout can't fix.Who should get this camera?The photographer or cinematographer who has a well-used entry level DSLR, is shooting stunning photos with one exposure per motive and is looking to venture into higher-end professional/full frame territory & push his glass without bursting the bank (comparatively)Who shouldn't get this camera?The brand new photographer who thinks that gear is his limitation and that getting an expensive pro-DSLR body will instantly make his photos look nicer.It's an amazing body. I love it and think that at the price it is right now, a second-hand/refurbished unit is very good bargain indeed. 5 stars!
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